SHOWCASE OF NEW BOOKS FOR THE LAST WEEK OF DECEMBER!
Stephanie Plum, Trenton’s hardest working, most underappreciated bounty hunter, is offered a freelance assignment that seems simple enough. Local jeweler Martin Rabner wants her to locate his former security guard, Andy Manley (a.k.a. Nutsy), who he is convinced stole a fortune in diamonds out of his safe. Stephanie is also looking for another troubled man, Duncan Dugan, a fugitive from justice arrested for robbing the same jewelry store on the same day.
With her boyfriend Morelli away in Miami on police business, Stephanie is taking care of Bob, Morelli’s giant orange dog who will devour anything, from Stephanie’s stray donuts to the upholstery in her car. Morelli’s absence also means the inscrutable, irresistible security expert Ranger is front and center in Stephanie’s life when things inevitably go sideways. And he seems determined to stay there.
To complicate matters, her best friend Lula is convinced she is being stalked by a mythological demon hell-bent on relieving her of her wardrobe. An overnight stakeout with Stephanie’s mother and Grandma Mazur reveals three generations of women with nerves of steel and driving skills worthy of NASCAR champions.
Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.
From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.
The story of Willa Cather is defined by a lifetime of determination, struggle, and gradual emergence. Some show their full powers early, yet Cather was the opposite—she took her time and transformed herself by stages. The writer who leapt to the forefront of American letters with O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918) was already well into middle age. Through years of provincial journalism in Nebraska, brief spells of teaching, and editorial work on magazines, she persevered in pursuit of the ultimate goal—literary immortality.
Unlike Hemingway, Faulkner, and Fitzgerald, her idealism was unironic, and she stood alone among the great modern authors—at odds with the fashionable attitudes of her time. Combining intricate analysis with an empathetic, lyrical voice, Benjamin Taylor uncovers the reality of Cather’s artistic development, from modest beginnings to the triumphs of her mature years. His book is simultaneously an homage to her character, a warm consideration of her work, and a case being made to read Cather with renewed vigor.
WEEK 4
BOOK 4
THE REFORMATORY
A gloriously creepy Deep South horror story based on the infamous Dozier School for boys, perfect for fans of The Only Good Indians and Nothing But Blackened Teeth.
Jim Crow Florida, 1950. Twelve-year-old Robert Stephens Jr., who for a trivial scuffle with a white boy is sent to The Gracetown School for Boys. But the segregated reformatory is a chamber of horrors, haunted by the boys that have died there. In order to survive the school governor and his Funhouse, Robert must enlist the help of the school’s ghosts – only they have their own motivations…